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Written on May 16, 2008 – 4:58 pm | by Admin |With a pair of films screening on the Croisette and a pair of kids on the horizon, Angelina Jolie is the de facto queen of this year’s Cannes Film Festival.
The Ideas Of Life
With a pair of films screening on the Croisette and a pair of kids on the horizon, Angelina Jolie is the de facto queen of this year’s Cannes Film Festival.
With his follow-up to “Fahrenheit 9/11,” Michael Moore wants to examine America as an empire, study its standing since the Sept. 11 attacks and present revelations to surprise audiences as much as the first film did.
Eva Longoria Parker gets to play dress-up at the Cannes Film Festival and she doesn’t even have to pack her own suitcase.
Indiana Jones doesn’t give up his secrets lightly, and neither does the man pulling his strings.
Indiana Jones doesn’t give up his secrets lightly, and neither does the man pulling his strings.
The director of a powerful film about the final days of Bobby Sands said he had not made a hero of the IRA prisoner whose death in a 1981 hunger strike made him one of the most prominent symbols of opposition to British rule in Northern Ireland.
This week, New Yorkers in the film industry fled the city like rats from a sinking ship to attend the Cannes Film Festival. Those of us unlucky enough to be left behind at least had ample distraction from our jealousy, in the form of BAM’s tribute to ace cinematographer Ed Lachman and Lachman’s bevvy of oddball guests (Larry Kramer, William Schrader and David Byrne among them), as well as the Doxita festival of short docs, and Film Forum’s retrospective of Godard’s 60s. Anyway, supposedly it’s…
John Phillip Law, the strikingly handsome 1960s movie actor who portrayed an angel in the futuristic “Barbarella” and a lovesick Russian seaman in “The Russians Are Coming, The Russians Are Coming,” has died. He was 70.
CANNES, France (AP) Fernando Meirelles did boys with guns in “City of God” and murderous corporations in “The Constant Gardener.” With “Blindness,” the opening night entry at the Cannes Film Festival, the Brazilian director exposes the world’s ultimate savages: your friends and neighbors.
CANNES, France (AP) Fernando Meirelles did boys with guns in “City of God” and murderous corporations in “The Constant Gardener.” With “Blindness,” the opening night entry at the Cannes Film Festival, the Brazilian director exposes the world’s ultimate savages: your friends and neighbors.